Kannu Behra: Channeling the Spirit of Bagha Natch Through Art
At the Open Palm Court Gallery, India Habitat Centre, artist Kannu Behra recently presented his solo exhibition Thy Fearful Symmetry, curated by Johny ML. The show brought together an intriguing mix of photography, woodcut, painting, and drawing — all united by a single vibrant thread: Behra’s deep fascination with Bagha Natch, the traditional tiger dance of Odisha.
For Behra, this age-old performance tradition is more than a cultural motif; it’s a living expression of identity and rhythm that continues to inspire his creative practice. “My interest in the dance form, both as a contemporary artist and a performer, has been my constant source of inspiration,” he shares. The energy, movement, and symbolism of Bagha Natch are reflected in his works, where he merges performance with visual art to explore the dialogue between tradition and modernity.
Looking ahead, Behra envisions a future filled with creativity and collaboration. He plans to hold annual solo exhibitions and take part in thoughtfully curated group shows alongside other talented artists. He also dreams of setting up a larger studio space — not just for himself but for his peers as well — to nurture a sense of community and coexistence while allowing each artist to preserve their individuality. “Travelling is also on the cards,” he adds, hinting at his desire to keep discovering new inspirations and cultural connections.
Thy Fearful Symmetry stands as a testament to Kannu Behra’s evolving artistic journey — one that bridges performance, visual art, and the pulse of Odisha’s living traditions.
